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Minhas Pinturas

Record of the Painting

Artistic Painting Record (APR - 38)

1 – Copyright data:

1.1 - Title: Resistances.

1.2 - Nº: 38

1.3 - Author: Marcos Antonio Moreira Vidinha

2 – Emotional information:

2.1 - Thanks: The God for the miracle of life and for your patience with me.

2.2 - Tribute: I dedicate this work to Joaquim Carneiro de Sousa (my father-in-law).

2.3 - Source  of inspiration: Creation.

2.4 - Atmosphere (colors): Impact.

2.5 - Possible emotions transmitted: Curiosity and reflection.    

2.6 - Emotions felt during the execution of the painting: Tranquility, restlessness and insecurity.

3 – Classification and style:

3.1 - Classification: Geometric figure.

3.2 - Compositional style: Free from rules.

3.3 - Pictorial style: Polychromatic.

4 – General composition:

4.1 - Artistic aesthetic concepts: Imagination.

4.2 - Main motif (location): No characterization of main motif.

4.3 - Number of focal points (identification - process of creating): 1 (Central figure - element of clear tone and light color).

4.4 - Master plan (process of emphasis): Foreground (single).

4.5 - Contrasts: Tones, colors and lines.

4.6 - Scale (optical frame): No.

4.7 - Unity (similarity): Tones, forms, lines and brush strokes.

4.8 - Variety (diversity): Tones, colors, forms and lines.

4.9 - Dramatization (impact): Colors and forms.

4.10 - Manifestation of life: Implied.

5 – Composition of forms and masses:

5.1 - Symmetry: Asymmetric.

5.2 - Geometric schema composition: Ellipses.

5.3 - Type of forms: Intriguing.

5.4 - Degree of complexity of details: Simple.

5.5 - Balance of mass distribution: Yes, no.

5.6 - Balance of forms and voids: Yes, no.

5.7 - Number of virtual divisions of the canvas (Progression in PHI): 

. at the height the canvas: 5 axes.

. the width of the canvas: 5 axes.

5.8 - Frame: No.

6 – Color composition:

6.1 - Range of colors: Warm, cool, land and softened (pastel tone).

6.2 - Pictorial balance between areas of light and dark colors: No.

6.3 - Values of tone (degrees of lightness): 0, 10, 30, 50, 70, 90 and 100.

6.4 - Luminosity of color fields: Bright, matte and opaque.

6.5 - Finishing of color fields: Plain.

6.6 - Mixtures of colors in the main fields of color:

- background layer: burnt sienna (1) + titanium white (1)

- collor (1) + titanium white (3) + burnt sienna (touch)

- collor (1) + titanium white (5) + burnt sienna (touch)

7 – Composition of movement:

7.1 - Loudness: Sound scene (action - implied).

7.2 - Main movement of eyes around the canvas: There is no directed movement.

7.3 - Induced movement: Yes (by the lines around the elements).

7.4 - Barrier: No.

8 – Composition of depth: Does not have.

9 – Lighting composition: Imaginary.

10 – Panel undercoating:

10.1 - Layers of undercoating:

- first layer: acrylic resin (applied by the manufacturer of the panel);

- three additional layers (applied by me): white glue (1) + water (2), cast acrylic (1) diluted in an aqueous solution (1) + of acrylic varnish glossy (1).

10.2 - Texture of the undercoating :  chess (horizontal and vertical).

11 – Execution of the painting:

11.1 - Place of mixture of ink: Palette.

11.2 - Method of execution of the painting: Sequential of figures: first the negative figures, after the positive figures.

11.3 - Techniques painting used: Brushwork smooth.

11.4 - Paint overlay: Wet paint on dry paint.

11.5 - Type of brushworhs used: Directed (vertical, horizontal, inclined, curveand) and dash.

11.6 - Invoice (brushwork or spatula): Normal and delicate.

11.7 - Plasticity: No (brushwork smooth).

11.8 - Level  of dedication (positive and negative figures): Greater positive figures.

11.9 - Finishing of the contours: Sharp.

11.10- Implementation period:

. idea: 29.05.16

. undercoating of canvas (for me): 17.11.15 to 18.11.15

. composition of forms and masses: 29.05.16 to 30.10.16

. pictorial composition: 06.08.16 to 01.11.16

. drawing (paper): 05.08.16 to 13.08.16

. drawing (canvas): 29.10.16 to 30.10.16

. painting: 24.10.16 to 04.12.16

11.11 - Modification of painting: Yes (retouching – dry ink).

12 – Materials:

12.1 - Panel: Format (landscape), brand (Ideal), dimensions (40 cm - height x 60 cm - width), fabric (cotton).

12.2 - Undercoating: Acrylic varnish glossy – brand: Corfix, cast acrylic – brand: Corfix, white glue – brand: Cascorez extra.

12.3 - Acrylic paints palett (brand: Winsor & Newton – line: Artist’s Acrylic): phthalo blue – green shade, ultramarine blue, cobalt blue, dioxazine purple, quinacridone violet, perylene red, cadmiun Orange, azo yellow médium, yellow iron oxide, phthalo green – blue shade, chromium oxide Green, cobalt green deep, titanium white, iridescent white, raw sienna, raw umber, burnt sienna, burnt umber, naphthol red light.    

12.4 - Acrylic painting materials: gloss médium – brand: Galeria – Winsor & Newton.

13 - Painting tools:

13.1 - Brushes:

- Brand: Tigre – Ref: 308 – nº 2/0 – round – sable of marta tropical

- Brand: Tigre  – Ref: 309 – nº 10/0 – round – sable of Kolinsky l

- Brand: Tigre – Ref: 815 – nº 18 – bright – bristle of hog

- Brand: Tigre – Ref: 484 – nº 8 – filbert  – synthetic

13.2 - Auxiliary tools: Calibrator of mixtures of paints.

Santos (BR), december 04, 2016

Marcos Antonio Moreira Vidinha

 

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