Artistic Painting Record (APR - 39)
1 – Copyright data:
1.1 - Title: Magical lights
1.2 - Nº: 39
1.3 - Author: Marcos Antonio Moreira Vidinha
2 – Emotional information:
2.1 - Thanks: The God for the miracle of life and for your patience with me.
2.2 - Tribute: I dedicate this work to Ondina de Sousa Moreira Vidinha (my wife).
2.3 - Source of inspiration: Picture and images.
2.4 - Atmosphere (colors): Tranquility.
2.5 - Possible emotions transmitted: Peace.
2.6 - Emotions felt during the execution of the painting: Tranquility, restlessness, peace, anger, fear, insecurity.
3 – Classification and style:
3.1 - Classification: Landscape.
3.2 - Compositional style: Free from rules.
3.3 - Pictorial style: Polychromatic.
4 – General composition:
4.1 - Artistic aesthetic concepts: Pleasure.
4.2 - Main motif: Lights.
4.3 - Number of focal points (identification - process of creating): 1 (Moon - clear tone and light color).
4.4 - Master plan (process of emphasis): Background (tonal contrast).
4.5 - Contrasts: Tones and ink thickness.
4.6 - Scale (optical frame): There is no.
4.7 - Unity (similarity): tones, colors, forms, lines and brush strokes.
4.8 - Variety (diversity): tones, colors and palette knife marks.
4.9 - Dramatization (impact): There is no.
4.10 - Manifestation of life: There is no.
5 – Composition of forms and masses:
5.1 - Symmetry: Asymmetric.
5.2 - Geometric schema composition: Triangles, rectangles and circle.
5.3 - Type of forms: Normal.
5.4 - Degree of complexity of details: Simple.
5.5 - Balance of mass distribution: Yes.
5.6 - Balance of forms and voids: Yes.
5.7 - Number of virtual divisions of the canvas (Progression in PHI):
. at the height the canvas: 3 axes.
. the width of the canvas: 4 axes.
5.8 - Frame: No.
6 – Color composition:
6.1 - Range of colors: Warm, cool, land and softened (pastel tone).
6.2 - Pictorial balance between areas of light and dark colors: No.
6.3 - Values of tone (degrees of lightness): 0, 10, 20, 40, 50, 60, 70, 90 and 100.
6.4 - Luminosity of color fields: Matte and opaque.
6.5 - Finishing of color fields: Plain and impasto.
7 – Composition of movement:
7.1 - Loudness: Sound scene (action).
7.2 - Main movement of eyes around the canvas: Moon / light (in the form of flames) / chaim of mountains / light (in the form of Trident).
7.3 - Induced movement: Yes (movement of magical lights).
7.4 - Barrier: No.
8 – Composition of depth: juxtaposition of successive plans.
9 – Lighting composition:
9.1 - Source: Moon.
9.2 - Lighting plan: Against the light (background and intermediate plans).
10 – Panel undercoating:
10.1 - Layers of undercoating:
- first layer: acrylic resin (applied by the manufacturer of the panel);
- additional layer (applied by me): Basecryl.
10.2 - Texture of the undercoating : Chess (horizontal and vertical).
11 – Execution of the painting:
11.1 - Place of mixture of ink: Palette and canvas (physical mixture).
11.2 - Method of execution of the painting: Sequential of figures: first the negative figures, after the positive figures.
11.3 - Techniques painting used: Brushwork smooth, brushwork of impasto, marks of palette knife (impasto), dry brush and painting points.
11.4 - Paint overlay: Wet paint on wet paint and wet paint on dry paint.
11.5 - Type of brushworhs used: Crusade (“X”), directed (vertical, horizontal, inclined, curve), demarcated (modeling), dash, brush strokes and little dots.
11.6 - Invoice (brushwork or spatula): Normal and delicate.
11.7 - Plasticity: Yes (sharp brush strokes, impasto).
11.8 - Level of dedication (positive and negative figures): Greater positive figures.
11.9 - Finishing of the contours: Sharp and understated.
11.10 - Implementation period:
. idea: 2016
. undercoating of canvas (for me): 14.12.16
. composition of forms and masses: 02.04.17 to 18.04.17
. pictorial composition: 02.04.17 to 17.08.17
. drawing (paper): 17.04.17 to 18.04.17
. drawing (canvas): 20.04.17
. canvas preparation: washed with linseed oil (22.04.17 to 23.04.17)
. painting: 22.04.17 to 25.10.17
11.11 - Modification of painting: Yes (regrets – wet ink; retouching – dry ink).
12 – Materials:
12.1 - Panel: Format (landscape), brand (Ideal), dimensions (40 cm - height x 60 cm - width), fabric (cotton).
12.2 - Undercoating: Basecryl.
12.3 - Acrylic paints palett (brand: Winsor & Newton – line: Artist’s Acrylic): titanium white and and raw umber, both used on the bezel of the panel.
12.4 - Oil paints palette (brand: Winsor & Newton – line: Artist’s Oil Colour): chrome yellow hue, bright red, winsor blue – red shade (phthalo), winsor green (phthalo) and titanium white.
12.5 - Oil paints palette (brand: Corfix): amarelo cádmio, azul celeste, magenta e sombra queimada.
12.6 - Oil painting materials: linseed oil - brand: Acrilex.
13 - Painting tools:
13.1 - Brushes:
- Brand: Tigre – Ref: 141 – nº 10 – flat – sable of marta tropical
- Brand: Tigre – Ref: 141 – nº 0 – bright – sable of marta tropical
- Brand: Tigre – Ref: 308 – nº 2/0 – round – sable of marta tropical
- Brand: Tigre – Ref: 815 – nº 6 – bright – bristle of hog
- Brand: Tigre – Ref: 484 – nº 8 – filbert – synthetic
13.2 - Spatulas:
- Brand: Van Gogh – nº 1020 – triangular format
- Brand: Van Gogh – nº 1001 – triangular format
13.3 - Auxiliary tools: Calibrator of mixtures of paints and wooden brush.
Santos (BR), October, 26, 2017
Marcos Antonio Moreira Vidinha