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Minhas Pinturas

Record of the Painting

Artistic Painting Record (APR - 39)

1 – Copyright data:

1.1 - Title: Magical lights

1.2 - Nº: 39

1.3 - Author: Marcos Antonio Moreira Vidinha

2 – Emotional information:

2.1 - Thanks: The God for the miracle of life and for your patience with me.

2.2 - Tribute: I dedicate this work to Ondina de Sousa Moreira Vidinha (my wife).

2.3 - Source  of inspiration: Picture and images.

2.4 - Atmosphere (colors): Tranquility.

2.5 - Possible emotions transmitted: Peace.    

2.6 - Emotions felt during the execution of the painting: Tranquility, restlessness, peace, anger, fear, insecurity.

3 – Classification and style:

3.1 - Classification: Landscape.

3.2 - Compositional style: Free from rules.

3.3 - Pictorial style: Polychromatic.

4 – General composition:

4.1 - Artistic aesthetic concepts: Pleasure.

4.2 - Main motif: Lights.

4.3 - Number of focal points (identification - process of creating): 1 (Moon - clear tone and light color).

4.4 - Master plan (process of emphasis): Background (tonal contrast).

4.5 - Contrasts: Tones and ink thickness.

4.6 - Scale (optical frame): There is no.

4.7 - Unity (similarity): tones, colors, forms, lines and brush strokes.

4.8 - Variety (diversity): tones, colors  and palette knife marks.

4.9 - Dramatization (impact): There is no.

4.10 - Manifestation of life: There is no.

5 – Composition of forms and masses:

5.1 - Symmetry: Asymmetric.

5.2 - Geometric schema composition: Triangles, rectangles and circle.

5.3 - Type of forms: Normal.

5.4 - Degree of complexity of details: Simple.

5.5 - Balance of mass distribution: Yes.

5.6 - Balance of forms and voids: Yes.

5.7 - Number of virtual divisions of the canvas (Progression in PHI): 

. at the height the canvas: 3 axes.

. the width of the canvas: 4 axes.

5.8 - Frame: No.

6 – Color composition:

6.1 - Range of colors: Warm, cool, land and softened (pastel tone).

6.2 - Pictorial balance between areas of light and dark colors: No.

6.3 - Values of tone (degrees of lightness): 0, 10, 20, 40, 50, 60, 70, 90 and 100.

6.4 - Luminosity of color fields: Matte and opaque.

6.5 - Finishing of color fields: Plain and impasto.

7 – Composition of movement:

7.1 - Loudness: Sound scene (action).

7.2 - Main movement of eyes around the canvas: Moon / light (in the form of flames) / chaim of mountains / light (in the form of Trident).

7.3 - Induced movement: Yes (movement of magical lights).

7.4 - Barrier: No.

8 – Composition of depth: juxtaposition of successive plans.

9 – Lighting composition:

9.1 - Source: Moon.

9.2 - Lighting plan: Against the light (background and intermediate plans).

10 – Panel undercoating:

10.1 - Layers of undercoating:

- first layer: acrylic resin (applied by the manufacturer of the panel);

- additional layer (applied by me): Basecryl.

10.2 - Texture of the undercoating :  Chess (horizontal and vertical).

11 – Execution of the painting:

11.1 - Place of mixture of ink: Palette and canvas (physical mixture).

11.2 - Method of execution of the painting: Sequential of figures: first the negative figures, after the positive figures.

11.3 - Techniques painting used: Brushwork smooth, brushwork of impasto, marks of palette knife (impasto), dry brush and painting points.

11.4 - Paint overlay: Wet paint on wet paint and wet paint on dry paint.

11.5 - Type of brushworhs used: Crusade (“X”), directed (vertical, horizontal, inclined, curve), demarcated (modeling), dash, brush strokes and little dots.

11.6 - Invoice (brushwork or spatula): Normal and delicate.

11.7 - Plasticity: Yes (sharp brush strokes, impasto).

11.8 - Level  of dedication (positive and negative figures): Greater positive figures.

11.9 - Finishing of the contours: Sharp and understated.

11.10 - Implementation period:

. idea: 2016

. undercoating of canvas (for me): 14.12.16

. composition of forms and masses: 02.04.17 to 18.04.17

. pictorial composition: 02.04.17 to 17.08.17

. drawing (paper): 17.04.17 to 18.04.17

. drawing (canvas): 20.04.17

. canvas preparation: washed with linseed oil (22.04.17 to 23.04.17)

. painting: 22.04.17 to 25.10.17

11.11 - Modification of painting: Yes (regrets – wet ink; retouching – dry ink).

12 – Materials:

12.1 - Panel: Format (landscape), brand (Ideal), dimensions (40 cm - height x 60 cm - width), fabric (cotton).

12.2 - Undercoating: Basecryl.

12.3 - Acrylic paints palett (brand: Winsor & Newton – line: Artist’s Acrylic): titanium white and and raw umber, both used on the bezel of the panel.    

12.4 - Oil paints palette (brand: Winsor & Newton – line: Artist’s Oil Colour): chrome yellow hue, bright red, winsor blue – red shade (phthalo), winsor green (phthalo) and titanium white. 

12.5 - Oil paints palette (brand: Corfix): amarelo cádmio, azul celeste, magenta e sombra queimada.

12.6 - Oil painting materials: linseed oil - brand: Acrilex.

13 - Painting tools:

13.1 - Brushes:

- Brand: Tigre – Ref: 141 – nº 10 – flat – sable of marta tropical

- Brand: Tigre – Ref: 141 – nº 0 – bright – sable of marta tropical

- Brand: Tigre – Ref: 308 – nº 2/0 – round – sable of marta tropical

- Brand: Tigre – Ref: 815 – nº 6 – bright – bristle of hog

- Brand: Tigre – Ref: 484 – nº 8 – filbert  – synthetic

13.2 - Spatulas:

- Brand: Van Gogh – nº 1020 – triangular format

- Brand: Van Gogh – nº 1001 – triangular format

13.3 - Auxiliary tools: Calibrator of mixtures of paints and wooden brush.

Santos (BR), October, 26, 2017

Marcos Antonio Moreira Vidinha

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